One of my designs – Paperbark – was recently used on the cover for a new CD by musicians Christine Draeger, Lamorna Nightingale and Jocelyn Edey-Fazzone. It is called Eat Chocolate and Cry – Australian Flute Music 199-2009 featuring Australian contemporary composers. As part of the HSC Music course students must study this content and so this CD is designed a a resource as well as for highlighting contemporary composers and musicians.
The CD was launched at the Australian Music Centre in The Rocks Sydney at the end of September – more information about the cd can be found here.
Apart from all of that I do like the concept of listening to beautiful music, eating chocolate and crying!!
Here a few quick tips on getting your linocut block prepared ready for printing.
* Before you start carving or printing a linocut block you can gently remove the waterproof coating. Linocut blocks are coated in a waterproof coating – if you place a drop of water on the surface it will bead and not soak in. I remove this coating with a superfine grade ‘wet’ sandpaper – using a small amount of water I gently rub the surface with the sandpaper. You will see the coating coming off easily – I then towel dry the block. If you then place a drop of water on the surface it will soak in.
* I trim the edges of the block to make a clean line for the print using a steel ruler and a sharp bladed knife. Traditional linocut blocks have a hessian backing.
* When you trim a linocut block this hessian backing needs to be further trimmed back to ensure none of the hessian stringing is left – this string can easily pick up ink when you are printing and create unsightly marks onto the surface of the print.
* I use scissors to trim – first from the front and then I turn the block over and check of there are any pieces of string that may slowly come undone whilst printing and I trim these back as well. I regularly check the block whilst printing to ensure no stray fine hairs are still there and picking up ink. It is easy to miss one and it is not until it marks the print that you realise it is there.
Within the black and white section of the above image on the left you can see a fine white line – this is one of the small and often extremely fine hairs that can easily ruin a great print – just ask me I know!! The image on the right shows the fine marks that can occur from these hairs picking up the ink. I have discarded many prints (which is quite costly) because of this. I try to keep a particular standard to the prints I include within an edition and work at improving my skills on an ongoing basis. I am finding that as my actual printing technique and knowledge of printmaking improves so the standards I want within each print of an edition, also increases. I am always seeking to learn new and improved techniques and tips through a variety of sources. I am very aware that over time my printmaking skills have improved and as a result so have the prints! I hope this information helps other linocut printmakers in identifying this and other common printing mistakes.
As you can all guess I finally got to print my Tawny Expressions blocks tonight – after spending time in Sydney, being unwell and the awful wet weather (that I tend to try to not print in – now that’s another issue of damp, limp paper in wet and humid weather) I have managed to do some printing this afternoon – fine sunny and actually quite warm for this time of year. Speaking of weather tonights printing listening music – Crowded House!
…I have still been trying to get my head together…so not back to artwork yet…I am trying to organise Christmas in our household…as well as rearrange and sort through many things…
I Found this version of the Little Drummer Boy, I had forgotten about it. I do like it though, especially the Peace On Earth melody over the top sung by David Bowie. I love old movies and Bing is a favourite with that deep sonorous voice. As well as being a visual artist I also play music – piano and flute – hence the music references at times.
One of my designs – Paperbark – was recently used on the cover for a new CD by musicians Christine Draeger, Lamorna Nightingale and Jocelyn Edey-Fazzone. It is called Eat Chocolate and Cry – Australian Flute Music 199-2009 featuring Australian contemporary composers. As part of the HSC Music course students must study this content and so this CD is designed a a resource as well as for highlighting contemporary composers and musicians.
